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REMBRANDT Harmenszoon van Rijn
The lapidation of Saint Stephen
1625(1625)
Medium oil on oak panel
Dimensions 89.5 X 123.6 cm (35.2 X 48.7 in)
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REMBRANDT Harmenszoon van Rijn
Christ driving the money-changers from the Temple.
1626(1626)
Medium oil on oak panel
Dimensions 43.1 X 32 cm (17 X 12.6 in)
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REMBRANDT Harmenszoon van Rijn
The angel Raphael leaving the family of Tobit.
1637
Medium oil on oak panel
Dimensions 68 X 52 cm (26.8 X 20.5 in)
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REMBRANDT Harmenszoon van Rijn
Joseph Accused by Potiphar's Wife.
1655
Medium oil on canvas
Dimensions 105.7 X 97.8 cm (41.6 X 38.5 in)
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REMBRANDT Harmenszoon van Rijn
Sacrifice of Isaac.
1635(1635)
Medium oil on canvas
Dimensions Height: 193 cm (76 in). Width: 133 cm (52.4 in).
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REMBRANDT Harmenszoon van Rijn
Self-portrait with wide-awake hat
1632(1632)
Medium oil on oak panel
Dimensions Height: 64.4 cm (25.4 in). Width: 47.6 cm (18.7 in).
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REMBRANDT Harmenszoon van Rijn
Bartiger Mann
vor 1730
Medium oil on canvas
Dimensions Deutsch: 70 x 61,5 cm
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REMBRANDT Harmenszoon van Rijn
Adoration of the Shepherds
1646(1646)
Medium oil on canvas
Dimensions Height: 97 cm (38.2 in). Width: 71.5 cm (28.1 in).
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REMBRANDT Harmenszoon van Rijn
Self-portrait
1628(1628)
Medium oil on panel
Dimensions Height: 22.6 cm (8.9 in). Width: 18.7 cm (7.4 in).
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REMBRANDT Harmenszoon van Rijn
Bust of a man in oriental dress.
1633
Medium oil on oak panel
Dimensions 85.8 X 63.8 cm (33.8 X 25.1 in)
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REMBRANDT Harmenszoon van Rijn
Polish nobleman.
1637(1637)
Medium oil on panel
Dimensions 96.7 X 66.1 cm (38.1 X 26 in)
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REMBRANDT Harmenszoon van Rijn
The Mill
1645-1648
Medium oil on canvas
Dimensions Height: 87.6 cm (34.5 in). Width: 105.6 cm (41.6 in).
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REMBRANDT Harmenszoon van Rijn
Head of an old man
c. 1629 (1628-1630)
Medium oil on oak panel
Dimensions Height: 24.3 cm (9.6 in). Width: 20.3 cm (8 in).
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REMBRANDT Harmenszoon van Rijn
Portrait of a man with arms akimbo
1658
Medium oil on canvas
Dimensions 107.4 X 87 cm (42.3 X 34.3 in)
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REMBRANDT Harmenszoon van Rijn
Joseph dream.
1645(1645) or 1646(1646)
Medium oil on mahogany panel
Dimensions Height: 20.7 cm (8.1 in). 27.8 cm (10.9 in)
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REMBRANDT Harmenszoon van Rijn
Bust of a woman with a feathered beret
1632(1632)
Medium oil on canvas mounted on panel
Dimensions Height: 68.7 cm (27 in). Width: 53.5 cm (21.1 in).
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REMBRANDT Harmenszoon van Rijn
Portrait of Saskia van Uylenburch
c. 1633/1634-1642 (1633-1642)
Medium oil on oak panel
Dimensions 99.5 X 78.8 cm (39.2 X 31 in)
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REMBRANDT Harmenszoon van Rijn
The Adoration of the Magi.
17th century
Medium oil on canvas
Dimensions 71 X 65.8 cm (28 X 25.9 in)
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REMBRANDT Harmenszoon van Rijn
Old man with turban
ca.1625
Medium oil on panel
Dimensions 26.5 X 20 cm (10.4 X 7.9 in)
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REMBRANDT Harmenszoon van Rijn
Titus van Rijn, reading
Oil on canvas
Dimensions Deutsch: rechts etwas beschnitten: 70,5 x 64
um 1656/1657
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| REMBRANDT Harmenszoon van Rijn
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Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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